It is in these conjectures where the radical potential of memory flourishes, transforming the individual into a collective, transmitting and generating knowledges that remain untethered by earth-bound limitations.

Serving as an embodied transmission, needlework becomes a method of preserving history that is not reliant on permanence, but on action, touch, and repetition — and even in imperfection, a parallel is drawn toward the ways in which memory is always partial, rewritten, and (re)enacted subjectively. Failure, instead, may then be (re)positioned as an act of devotion, an intentional methodology aware of its ability to resist closure much like memory itself. Presented as an affective archive, this abandoned series converts error into meaning and failure into preservation, honouring the tension between the symbiotic processes of becoming and unmaking.